Smurfette is rescued and she and several ofįriends - Clumsy (voiced by Jack McBrayer), Brainy (voiced by Danny Pudi), and Hefty (voiced by Joe Manganiello) - set out on an adventure to Her capture ultimately allows Gargamel to get a fix on theįabled "Lost Village" that, if it's populated by Smurfs, he can use to increase his powers exponentially. One day, exploring the world around her village, she'sĬaptured by the evil but largely incompetent wizard Gargamel (voiced by Rainn Wilson). Of the other Smurfs are named after an attribute, something they do well, and do often. She's a girl, for one, and the only girl at that, but her name also Smurfette (voiced by Demi Lovato) is.different.than all of the other Smurfs. The result: a fun little movie that doesn't exceed expectations but that holds its own well enough and portends yet another sequel in a Widespread popularity, it was a gamble to reimagine the whole thing (not that Sony is any stranger to such a thing) and take the franchise in a new, yet still veryĭirection. Tidy profits over budget and considering their On their own adventure independent of real-world interference and more in-lin with classic Smurfs stories. On the plus side is a film that's more focused on the title characters, showing them as they exist in their own Gone is the humor and charm and novelty of The Smurfs wandering around a foreign, human-inhabited world. Presentation in favor of an all-digital movie that all but ignores the previous two entries and treks out on its own. While The Lost Village follows the (further/re-imagined)Īdventures of everyone's favorite little blue forest-dwellers, this latest film detours from Sony's last two, ditching the live-action/animated hybrid It's The Smurfs as everyone knows and loves them, but it's not The Smurfs as audiences have come to embrace them in recent years. Check out other awesome games from Capcom including Mr.Smurfs: The Lost Village 4K Blu-ray Review If you restart the game, the Facebook window should be closed. Hold the icon until it starts to "dance" and click on the red "X". This should bring up the springboard at the bottom of the screen. If you have an iPhone or iPod with multitasking, double click the home button. Click the home button at the bottom of your phone to close the game. To close out of the Facebook window, touch the top right corner of the pop up window where the button used to be. Retina display graphics - STUCK ON FACEBOOK LOGIN? Facebook made a change to their pop-up window that removed the very handy "close" button. manage your village anytime without having to connect to the internet. Features: - Creativity is your only limit, build a complete Smurfs' village from scratch - Play with your favorite Smurfs including Papa Smurf, Smurfette, and Jokey Smurf - Play mini games like Greedy Smurf’s Baking Game, Papa Smurf’s Potion Mixing Game, and Painter Smurf’s Painting Game and unlock additional bonuses - Connect with friends through Facebook and send gifts to your friends' villages - Play offline. From there, things quickly progress, allowing players to build specialized houses, elaborate gardens with colorful crops, bridges to span running rivers, trodden paths, and more. Based on the original cartoon and comic art, players begin the game with only a single mushroom house and a lone plowed plot of land. With Papa Smurf's guidance, it’s up to you to build a new village for the Smurfs to call home. Based on the original cartoon and comic art, players begin the game with only a single mushroom house and Gargamel found the Smurfs’ village and scattered the Smurfs far and wide. Summary: Gargamel found the Smurfs’ village and scattered the Smurfs far and wide.
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The youngest of King Triton’s daughters and the most defiant, Ariel longs to find out more about the world beyond the sea and, while visiting the surface, falls for the dashing Prince Eric. While mermaids are forbidden to interact with humans, Ariel must follow her heart. “The Little Mermaid” is the beloved story of Ariel, a beautiful and spirited young mermaid with a thirst for adventure. You can enter by either jumping into the hole or building to it. If you turn around, you'll see another hole in the den. When you arrive at the den, you'll want to follow the path, and you'll then be taken to with a Bike in front of you. To get the Sawdust SCAB, you'll need to visit the Termite Den in the northern part of the yard. You'll need to open the chest with the key you got earlier, and when it's open, you'll find the Picnic SCAB inside. When you've gone through the door, you'll see a D20 dice and a chest in the room over. Once you've entered the door, go straight and go through the door straight ahead past the statue. You'll then see a statue of a monster and a doorway to your right, and you'll want to enter the door on your right. When you get inside the castle, you'll want to make a left right away, and follow the path all the way down and make a right. Now that you have the key you'll need to go to the DnD castle on the Picnic Table. You'll then run into roots that you'll need to destroy, and after breaking them you'll be able to get the Minotaur Maze Key. Below is a picture of the exact location of where you'll need to be. To find the Legend SCAB, you'll need to go to the Fizzam Can, which is east of the Hedge Ascent and right outside the Hedge lab. You'll need to use the leaf as a ramp to get to the very top of the bird bath and in the center, you'll find the SCAB. When you're there, make a right and follow the path. Continue to go forward, and you'll see another fork in the road. Once you get to the other side, follow the path, and you'll pass a zipline on your right-hand side. You'll want to get to the other tree branch right across from you, so jump from leaf to leaf until you do so. You'll want to make a left and jump on the green leaves when you get to the other side. Make a right and follow the path up as soon as it connects. At the split, make a right.įollow the path until the smaller branch connects with, the larger one. You'll need to jump into the water and when you do, swim into the cave.Īs you're going up the branch, you'll see a red wire hanging, and the path will split. Once you arrive at the location, you'll find a leaf and a body of water. To find the Chubbs Series, you'll need to be on the Southeast part of the yard, as shown in the picture below. You'll then see a building that you can enter, and inside the building is the SCAB. Jump over to that branch and keep going right. When you reach the end of the path, you'll see a zipline you'll need to use.Īs soon as you land, you'll need to make a left and follow the path until you see the mushrooms and berry on the other tree branch. You'll want to continue going straight and jump on top of the mushrooms towards the juice box. Follow the path until the smaller branch connects with, the larger one. Make a right and follow the branches when you get to the lab.Īs you're going up the branch, you'll see a red wire hanging, and the path will split. To find the Bugjuice SCAB, you'll want to up Field Station outside The Hedge Lab, as shown in the picture below. I would love for this to be a kind of grand, collaborative TV project, where different directors and show creators each give their own take on a particular “episode” pulled from a chapter, maybe 30-45 minutes long. In short, the best dozen or so of these chapters could be siphoned from the book and put to TV, ignoring whatever it is that Hollywood already attempted to do with the bits and pieces, largely abandoning most in the process. Smaller scale stories tell about how astronauts survived in the International Space Station, or how a slothful Japanese teenager found the strength to escape from his apartment by climbing down the towering building, dodging zombies on each floor. North Korea’s population simply disappears. The stories created out of this are amazing. It was not an adaptation of World War Z, it simply shared the central topic of zombies taking over the world on a massive scale, something we only see a snippet of in shows like The Walking Dead.įor those who haven’t read the book, World War Z has a very interesting format where it’s told like a long string of vaguely interconnected short stories, each talking about a different aspect of the worldwide zombie epidemic. This could have made the film an unequivocal disaster, but honestly, it wasn’t a bad zombie movie in its own right. Though the Brad Pitt-vehicle borrowed the title and one or two concepts from the original Brooks book, fans of the novel will known that the two shared precious little else in common. Yes, yes, I know, World War Z was already made into a blockbuster Hollywood film. And I think that book is tailor-made for a prestige TV miniseries. I’ve read and watched The Walking Dead for years now, but I still think it has yet to come close to the only true masterpiece of zombie fiction of our time, Max Brooks’ World War Z. Zombies are more or less a backdrop, scenery that occasionally lashes out with a claw or bite. Rather, it’s about how people interact with people after the world ends. And yet, The Walking Dead is only rarely about zombies anymore. This configuration can be confusing it may seem odd to have a single server in a server pool, but each Adobe Connect RTMP Meeting VIP on the HLD must point to a single Adobe Connect Meeting server it is a one-to-one correspondence. The best place to start is with a basic network diagram illustrating the desired end state of a Connect server pool running behind a high end hardware-based load-balancing device (HLD), shown in Figure 1.įigure 1: Adobe Connect server pool running Connect Meetingįollowing the example in Figure 1, the virtual Internet protocol addresses (VIPs) on the HLD and the Adobe Connect server pools correspond in the following manner: Table of contentsĬonfiguring application-aware health monitorsĬonclusion Configuring DNS and port assignments AEM cluster installation is not covered here in the interest of article length and simplicity. Adding the Events module to an Adobe Connect on premise installation is not difficult and can be accomplished during initial installation or subsequently. For a diagram of what AMG looks like when integrated with an on-premise cluster along with installation guidance see the following tech-notes:īeginning with Adobe Connect 9 the Adobe Connect Events module requires a separate server or micro-cluster running Adobe Experience Manager (AEM). The telephony adapters that integrate with AMG are part of the Adobe Connect installer. The Adobe Media Gateway (AMG) is an additional server that is required for all telephony integration with the exception of PGi. ACTS is only needed for the HTML5 client and is covered in more detail in the installation guide and here in these articles:Īdobe Connect integrates with various telephony options. For small deployments a single ACTS instance can be co-located on an Adobe Connect origin server, but in most cases a separate server or server pools for redundancy are prudent. This article is intended as a supplement to published Adobe Connect installation documentation:īeginning with Adobe Connect 10, if you wish to take advantage of the additional HTML5 client connection option, an Adobe Connect Transmuxing Server (ACTS) or servers are required. This article is only for on-premise Adobe Connect lab/test environment deployments. Note: Here is a snippet from the Adobe Connect EULA that addresses the additional use of Adobe Connect server licenses for non-production test labs it allows for development or quality-assurance non-production or sandbox installations of one additional server for each server purchased without additional cost:Ī basic understanding of network infrastructure, DNS name-resolution, routing, and Network Address Translation (NAT).
It does this by popping up a message making sure that you're sure about the edit, and offers to not provide warnings for the next 5 minutes.Easily solve math calculations! Take a photo of any math problem, then get answers with detailed step-by-step explanations. You'll want a warning assuming that it's a personal use thing, so that it actually does what it's intended to do- prevent you from accidentally messing things up. The problem is that it by default protects every cell in the sheet, so many cells that you may not want protected will now be protected, but, since you can pick any number of ranges at once, it makes protecting larger sheets far quicker.Īfter telling it to set permissions, a message will pop up asking if you want it to only allow certain people to edit it, or prevent other people from editing it. However, if you select "Except Certain Cells", you can pick any number of ranges to be left unprotected. If you pick the sheet option, it will, by default, protect the entire sheet. You select the range the same way as any other range. However, it can only do one range at a time, so on larger sheets, not so much. This will protect anything within a single range, and not affect the rest of the sheet, so it's better for smaller sheets. Next we'll be adding in Sheet Protection to make sure that we don't unintentionally edit cells that we don't want to edit, such as section titles and formulas.įirst is a range. Now, the higher the amount left, the darker the green it will show as, and the further below zero, the darker the red it will show as. In this case, I chose -1,000 as the minimum, 0 as the middle, and 1,000 as the maximum. What you'll want to do is select a range that's a fair bit above and below your expected results, but only 2-3 times that. If the number is above or below the relative max or min, the color will simply show as the color selected for that end. After that, you'll need to select either end and the middle of a scale, as well as the colors in each of those places. The "Apply to Range" section is similar to how the earlier Data Validation worked. However, here we'll be using color scaling. Now, from here we can also set it to check a range of cells for specific or a range of entries and change the cell's text properties such as font styles, font type, font size, font color, background color, etc. We'll need to go to the format menu and select "Conditional Formatting". Next, we'll be using conditional formatting to give a quick and easy gauge of our costs vs our budget. We'll apply these conditions, whatever conditions we decide on, to every place we'll be entering data or a formula. Finally, we can have it display help text while showing a warning, which should be set up to tell you what's wrong with it. What I've shown here is a warning message so that you don't loose anything valid. Now, we can either set it to reject an invalid input, or display a warning message. So, we're just going to have it be between as large of a negative number as seems appropriate, and a positive number that is just as long. Now, for this specific purpose we just want to make sure that its a number. In this case, we will be using the number field. The dropdown menu allows you to pick what kind of criteria it is, such as a number within a range, a specific formula being included, etc. The second thing is your criteria type and specific. You can type in a new cell range if you don't like the listed one, or click on the icon of 4 cells in the right edge of the text field to select new ones. Whatever cells were selected when you open the Data Validation menu will currently be listed here. This dictates what parts of the sheet are affected by the Data Validation. This has a few different things you can adjust. It should bring up a popup menu titled "Data Validation".īasically, what this is going to do is allow you to set a set of criteria for certain cells that will display an error when certain things are entered into them, as seen in the bottom and middle right pictures for this step. To do this, go to the "Data" menu, and select "Data Validation". In smaller sheets this might not be needed, but it's a nice touch, and in larger sheets can become more necessary. This will warn you when you input a piece of data that is invalid. 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That said, I'd rather have the more "native" experience on OSX by paying an extra ~$300-$500, though I recognize this is a luxury not all have. "It just works" seems to apply to more than just official software / hardware, which is refreshing from the more hardcore *nix distros.Įven Microsoft recognizes that they're hurting in the systems developer battle, however they've made admittedly impressive strides to confront it with WSL and other related efforts. and OSX is always the quickest in terms of time it takes to be productive. I've had to create on boarding procedures for OSX, Win, Debian, etc. The tools I need are easiest to install on OSX due to first class package managers like Homebrew. I use a MacBook Pro as my work computer because I need *nix in my life and Apple provides a very polished experience which seems to resonate with other developers. Microsoft's Surface line is some competition in that department, but they're just as expensive as Apple. My Macbook Pro gets way more use than my XPS, despite being older. Their trackpads are actually as usable as a mouse-unlike their competitors. Personally, one of the big features that ends up selling the deal for me re: Apple are the trackpads on the laptops. I'm more interested in getting exactly what I want, and they happen to have some products that are what I want. I'm not particularly price sensitive when it comes to computers. TBH, I guess I fit pretty squarely in Apple's target market. Additionally, OS X is a real Unix that still has good commercial software support, so there's some benefit in that direction too. People buy Macs because they're not particularly concerned about a couple of hundred dollars if it means getting what they want. In other words, Apple's pricing makes sense if you're interested in buying a computer with one of those form factors, but don't make sense if you're just interested in a box that crunches numbers fast. Their machines are pretty much on-par with other machines in the same category at similar prices-they just lack the products that usually make up the price competitive lineup at other computer companies. Ultrabooks, small form factor boxes, all-in-one systems, etc. The main pain point with Apple is that they don't sell a conventional desktop or large form factor laptops, so everything ends up being in pricey form factors. Good all-in-one machines with a large hi-res display are expensive no matter who you're buying it from. The iMac has a slightly better processor and a higher resolution display. A basically equivalent Dell XPS 27" All-In-One is $1779. |